PAULINE KAEL SOUND OF MUSIC REVIEW



Pauline Kael Sound Of Music Review

What She Said The Art of Pauline Kael Film Threat. Of course, I am not the first to criticize Pauline Kael, for she’s generated quite a few ‘enemies’ throughout her career. In 2004, for instance, Alan Vanneman published a short retrospective of her work [49] that covers her life, her creative troubles from the 50s onward, and her eventual breakthrough as a critic via a published collation of her reviews, which Vanneman quotes quite a bit, For a more extended discussion, see Pauline Kael's book Deeper into Movies. The Bed-Sitting Room UK (1969): Comedy 90 min, No rating, Color The ghastly kind of far-out humor that makes you feel as if you've got a pain in your side when you haven't even laughed. Richard Lester directed this apocalyptic after-the-bomb farce. Some twenty-odd.

Raging Bull (1980) Review by Pauline Kael - Scraps from

Kael Reviews geocities.ws. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances. What She Said: The Art of Pauline Kael has generally received positive reviews., She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances. What She Said: The Art of Pauline Kael has generally received positive reviews..

11/05/2019 · Pauline Kael’s scathing review of The Sound of Music, which led to her firing, illustrates what important principle for critics? For a more extended discussion, see Pauline Kael's book Deeper into Movies. The Bed-Sitting Room UK (1969): Comedy 90 min, No rating, Color The ghastly kind of far-out humor that makes you feel as if you've got a pain in your side when you haven't even laughed. Richard Lester directed this apocalyptic after-the-bomb farce. Some twenty-odd

In her review of the new Pauline Kael biography, Slate’s Dana Stevens says that “if you write about movies in America today (and in the age of the who... by Pauline Kael. Al Pacino’s Tony Montana is small and mean. The slash of a scar that runs through one eyebrow and down across the cheekbone seems to go right to his soul; there’s something dead in his face—as if ordinary human emotions had rotted away, leaving …

Pauline Kael reviews Martin Scorsese's 'Raging Bull' Religious Pulp, or the Incredible Hulk. by Pauline Kael. As Jake la Motta, the former middleweight boxing champ, in Raging Bull, Robert De Niro wears scar tissue and a big, bent nose that deform his face.It’s a miracle … Of course, I am not the first to criticize Pauline Kael, for she’s generated quite a few ‘enemies’ throughout her career. In 2004, for instance, Alan Vanneman published a short retrospective of her work [49] that covers her life, her creative troubles from the 50s onward, and her eventual breakthrough as a critic via a published collation of her reviews, which Vanneman quotes quite a bit

Rob Garver's doc 'What She Said: The Art of Pauline Kael' dives into the life, career, personality and legacy of the fierce and famous film critic for The New Yorker. Unlike its subject, the documentary “What She Said: The Art of Pauline Kael” merely feints toward criticism. A numbing torrent of largely unidentified film clips and poorly labeled commentary, Rob Garver’s overstuffed tribute to the life and work of America’s best-known — and most written about — film critic is at times barely coherent.

In her review of the new Pauline Kael biography, Slate’s Dana Stevens says that “if you write about movies in America today (and in the age of the who... 03/03/2015 · Back in 1965, eminent film critic Pauline Kael famously called The Sound of Music “the sugar-coated lie that people seem to want to eat.” Worse, she goes on to say, “We have been turned into

03/03/2015 · Back in 1965, eminent film critic Pauline Kael famously called The Sound of Music “the sugar-coated lie that people seem to want to eat.” Worse, she goes on to say, “We have been turned into Pauline Kael (/ k eɪ l /; June 19, 1919 – September 3, 2001) was an American film critic who wrote for The New Yorker magazine from 1968 to 1991. Kael was known for her "witty, biting, highly opinionated and sharply focused" reviews, her opinions often contrary to those of her contemporaries. She was one of the most influential American film critics of her era.

What she said The Art of Pauline Kael review

pauline kael sound of music review

Pauline Kael one of film’s worst and most ridiculous critics.. The Sound of Music was not the ill wind that Kael detected but the last gasp of the studio system’s belief in G-rated operettas of inspirational uplift., I Lost It At The Movies is the first book of criticism by iconic film critic Pauline Kael. It has lots of food for thought throughout, and has inspired me to see some classics. many of the films from this era were unfamiliar to me, but several of her essays are thought provoking as well and reflect the ….

Review On One Critic's Life Words and Influence on Film

pauline kael sound of music review

Pauline Kael Movie Reviews & Previews Rotten Tomatoes. Unlike its subject, the documentary “What She Said: The Art of Pauline Kael” merely feints toward criticism. A numbing torrent of largely unidentified film clips and poorly labeled commentary, Rob Garver’s overstuffed tribute to the life and work of America’s best-known — and most written about — film critic is at times barely coherent. https://en.wikipedia.org/wiki/Kiss_Kiss_Bang_Bang_(book) Aside from the keen intelligence and sparkling wit of her reviews Pauline Kael was known for championing films everybody hated, (Last Tango) ridiculing films that everyone loved (The Sound of Music), and generally calling the critical consensus into question. Her ability to sway viewers taste could kill a film with rosy prospects or turn a.

pauline kael sound of music review


Aside from the keen intelligence and sparkling wit of her reviews Pauline Kael was known for championing films everybody hated, (Last Tango) ridiculing films that everyone loved (The Sound of Music), and generally calling the critical consensus into question. Her ability to sway viewers taste could kill a film with rosy prospects or turn a For a more extended discussion, see Pauline Kael's book Deeper into Movies. The Bed-Sitting Room UK (1969): Comedy 90 min, No rating, Color The ghastly kind of far-out humor that makes you feel as if you've got a pain in your side when you haven't even laughed. Richard Lester directed this apocalyptic after-the-bomb farce. Some twenty-odd

In her review of the new Pauline Kael biography, Slate’s Dana Stevens says that “if you write about movies in America today (and in the age of the who... Pauline Kael movie reviews were never mediocre affairs. That’s because the longtime film critic for The New Yorker (1968 to 1991) filled her work with personal insight, emotion, and a depth rarely seen in modern-day critical musings. Considered the most influential movie reviewer of her time, she’s rivaled only by Roger Ebert in both fame and acclaim from their peers.

The success of a movie like THE SOUND OF MUSIC makes it even more difficult for anyone to try to do anything worth doing, anything relevant to the modern world, anything inventive or expressive. The banks, the studios, the producers will want to give the public what it seems to crave. The more money these "wholesome" movies make, the less “The most powerful, loved, and hated film critic of her time.” – Roger Ebert on Pauline Kael (1919-2001). In a field that has historically embraced few women film critics, Kael was controversial, witty, and fiercely discerning. Her decades-long berth at The New Yorker energized her fans

Aside from the keen intelligence and sparkling wit of her reviews Pauline Kael was known for championing films everybody hated, (Last Tango) ridiculing films that everyone loved (The Sound of Music), and generally calling the critical consensus into question. Her ability to sway viewers taste could kill a film with rosy prospects or turn a In this week’s issue, I write about Pauline Kael, who was a New Yorker film critic from 1968 to 1991, and whose reviewing helped establish several movies of the late sixties and seventies as

Rate Your Music is an online community of people who love music. Catalog, rate, tag, and review your music. List and review the concerts you've attended, and track upcoming shows. When you rate your music, the site's music/social recommender can recommend similar music and users with similar music … 03/09/2000 · Former editor Robert Stein letter on Kristin Hohenade's August 27 assertion that Pauline Kael's review of Sound of Music cost her job at McCall's (S)

A 1966 movie review by Pauline Kael on Jean-Luc Godard, who turns 85 today. Tagged by Roger Ebert as the most influential film critic of her day, the film investigates Pauline Kael's turbulent life and controversial work, through her published writing, letters, never-seen archival footage and interviews with friends and foes of her pen, including Quentin Tarantino and Camille Paglia.

pauline kael sound of music review

Unfortunately, audiences didn't write the reviews, and so it's difficult, after all this time, to know precisely why they liked it so much. Thankfully, though, the highly respected critic for The New Yorker , Pauline Kael, went against the pack in writing a remarkably thoughtful review of King Kong '76. Kael gave an isolated positive review to Jessica Lange's much-maligned debut performance in King Kong (1976), writing that Lange's screen presence reminded her of Carole Lombard. She also singled out Morgan Freeman 's early performance in Brubaker (1980) as the highlight of the movie.

'What She Said The Art of Pauline Kael' Film Review

pauline kael sound of music review

WHAT SHE SAID THE ART OF PAULINE KAEL Cinematic History. Read Movie and TV reviews from Pauline Kael on Rotten Tomatoes, where critics reviews are aggregated to tally a Certified Fresh, Fresh or Rotten Tomatometer score., In fact, in director Rob Garver’s What She Said: The Art of Pauline Kael, we are reminded that Kael saw critics as propagandists for the films they loved and were at risk of being overlooked by the public, and that she would frequently phone up her legion of reviewer disciples (affectionately known as “the Paulettes”) when she was particularly passionate about a movie and encourage them.

'What She Said The Art of Pauline Kael' Film Review

What She Said The Art of Pauline Kael – first look review. Tagged by Roger Ebert as the most influential film critic of her day, the film investigates Pauline Kael's turbulent life and controversial work, through her published writing, letters, never-seen archival footage and interviews with friends and foes of her pen, including Quentin Tarantino and Camille Paglia., Pauline Kael (/ k eɪ l /; June 19, 1919 – September 3, 2001) was an American film critic who wrote for The New Yorker magazine from 1968 to 1991. Kael was known for her "witty, biting, highly opinionated and sharply focused" reviews, her opinions often contrary to those of her contemporaries. She was one of the most influential American film critics of her era..

Le réalisateur Quentin Tarantino a avoué lors du Festival de Cannes 2008 que Pauline Kael avait été sa « professeur de cinéma » alors qu'il n'était qu'un adolescent [5]. Pauline Kael décrivit en 1968 le cinéma hollywoodien par une expression devenue célèbre : "Kiss kiss bang bang" [réf. souhaitée]. The picture is just a flimsy, thrown-together service comedy about smart misfits trying to do things their own way in the Army. But it has a lot of snappy lines (the script is by Len Blum, Dan Goldberg, and Ramis), the director, Ivan Reitman, keeps things hopping (it's untidy but it doesn't lag), and the performers are a wily bunch of professional flakes.

Unfortunately, audiences didn't write the reviews, and so it's difficult, after all this time, to know precisely why they liked it so much. Thankfully, though, the highly respected critic for The New Yorker , Pauline Kael, went against the pack in writing a remarkably thoughtful review of King Kong '76. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances. What She Said: The Art of Pauline Kael has generally received positive reviews.

In this week’s issue, I write about Pauline Kael, who was a New Yorker film critic from 1968 to 1991, and whose reviewing helped establish several movies of the late sixties and seventies as Each link contains between 20-30 reviews. There are 2,846 in all, ranging from early silents to the early 1990s, when Kael retired. Enjoy! (To view There are 2,846 in all, ranging from early silents to the early 1990s, when Kael retired.

Kiss Kiss Bang Bang (1968) is Pauline Kael's second collection of reviews from 1965 through 1968, compiled from numerous magazines including The Atlantic, Holiday, The New Yorker, Life, Mademoiselle, The New Republic, McCall's, and Vogue.It features her review of The Sound of Music, which she notoriously dubbed "The Sound of Money," sparking outrage from loyal readers of McCall's. Each link contains between 20-30 reviews. There are 2,846 in all, ranging from early silents to the early 1990s, when Kael retired. Enjoy! (To view There are 2,846 in all, ranging from early silents to the early 1990s, when Kael retired.

I Lost It At The Movies is the first book of criticism by iconic film critic Pauline Kael. It has lots of food for thought throughout, and has inspired me to see some classics. many of the films from this era were unfamiliar to me, but several of her essays are thought provoking as well and reflect the … Pauline Kael movie reviews were never mediocre affairs. That’s because the longtime film critic for The New Yorker (1968 to 1991) filled her work with personal insight, emotion, and a depth rarely seen in modern-day critical musings. Considered the most influential movie reviewer of her time, she’s rivaled only by Roger Ebert in both fame and acclaim from their peers.

A 1966 movie review by Pauline Kael on Jean-Luc Godard, who turns 85 today. 11/05/2019 · Pauline Kael’s scathing review of The Sound of Music, which led to her firing, illustrates what important principle for critics?

03/03/2015 · Back in 1965, eminent film critic Pauline Kael famously called The Sound of Music “the sugar-coated lie that people seem to want to eat.” Worse, she goes on to say, “We have been turned into A 1966 movie review by Pauline Kael on Jean-Luc Godard, who turns 85 today.

04/11/2011 · For the movie version of The Sound of Music, execs at 20th Century Fox first approached Robert Wise (1914-2005), a reliable and chameleonic filmmaker who'd worked in … Kael gave an isolated positive review to Jessica Lange's much-maligned debut performance in King Kong (1976), writing that Lange's screen presence reminded her of Carole Lombard. She also singled out Morgan Freeman 's early performance in Brubaker (1980) as the highlight of the movie.

Rate Your Music is an online community of people who love music. Catalog, rate, tag, and review your music. List and review the concerts you've attended, and track upcoming shows. When you rate your music, the site's music/social recommender can recommend similar music and users with similar music … 03/03/2015 · Back in 1965, eminent film critic Pauline Kael famously called The Sound of Music “the sugar-coated lie that people seem to want to eat.” Worse, she goes on to say, “We have been turned into

Directed by Rob Garver “The most powerful, loved, and hated film critic of her time.” – Roger Ebert on Pauline Kael (1919-2001). In a field that has historically embraced few women film critics, Kael was charismatic, controversial, witty, and discerning. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances. What She Said: The Art of Pauline Kael has generally received positive reviews.

She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances. What She Said: The Art of Pauline Kael has generally received positive reviews. Directed by Rob Garver “The most powerful, loved, and hated film critic of her time.” – Roger Ebert on Pauline Kael (1919-2001). In a field that has historically embraced few women film critics, Kael was charismatic, controversial, witty, and discerning.

Unfortunately, audiences didn't write the reviews, and so it's difficult, after all this time, to know precisely why they liked it so much. Thankfully, though, the highly respected critic for The New Yorker , Pauline Kael, went against the pack in writing a remarkably thoughtful review of King Kong '76. Her daughter Gina James is a prominent voice in the film and relates that even that august publication didn’t afford Kael a living wage. I vividly recall her firing from McCall’s magazine after a scathing review of The Sound of Music and read about acrimonious meetings of the New York Film Critics Circle where she sparred with Andrew Sarris

“She elevated film criticism to an art form, rather than just mere commentary…”. She was never one to stray away from a fight, championing movies that other critics derided and vice versa. She even got fired from McCall’s for her scathing review of The Sound of Music, which is one of the most beloved films of all time (by most, I’m kind of on board with Kael on this one). In her review of the new Pauline Kael biography, Slate’s Dana Stevens says that “if you write about movies in America today (and in the age of the who...

The Sound of Music at 50 Why the Movie Got Bad Reviews

pauline kael sound of music review

Pauline Kael — WikipГ©dia. 04/09/2001 · Pauline Kael, who expressed her passion for movies in jaunty, jazzy prose as the longtime film critic for The New Yorker, died yesterday at her home in Great Barrington, Mass., Pauline Kael reviews Martin Scorsese's 'Raging Bull' Religious Pulp, or the Incredible Hulk. by Pauline Kael. As Jake la Motta, the former middleweight boxing champ, in Raging Bull, Robert De Niro wears scar tissue and a big, bent nose that deform his face.It’s a miracle ….

pauline kael sound of music review

Pauline Kael Biography - IMDb

pauline kael sound of music review

Pauline Kael Biography - IMDb. “The most powerful, loved, and hated film critic of her time.” – Roger Ebert on Pauline Kael (1919-2001). In a field that has historically embraced few women film critics, Kael was controversial, witty, and fiercely discerning. Her decades-long berth at The New Yorker energized her fans https://en.m.wikipedia.org/wiki/Willow_(film) Unfortunately, audiences didn't write the reviews, and so it's difficult, after all this time, to know precisely why they liked it so much. Thankfully, though, the highly respected critic for The New Yorker , Pauline Kael, went against the pack in writing a remarkably thoughtful review of King Kong '76..

pauline kael sound of music review


30/09/2019 · WHAT SHE SAID: THE ART OF PAULINE KAEL opens Wednesday, December 25 at Film Forum DIRECTED AND EDITED BY ROB GARVER “The most … Read Movie and TV reviews from Pauline Kael on Rotten Tomatoes, where critics reviews are aggregated to tally a Certified Fresh, Fresh or Rotten Tomatometer score.

Read Movie and TV reviews from Pauline Kael on Rotten Tomatoes, where critics reviews are aggregated to tally a Certified Fresh, Fresh or Rotten Tomatometer score. The Sound of Music was not the ill wind that Kael detected but the last gasp of the studio system’s belief in G-rated operettas of inspirational uplift.

She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances. What She Said: The Art of Pauline Kael has generally received positive reviews. Each link contains between 20-30 reviews. There are 2,846 in all, ranging from early silents to the early 1990s, when Kael retired. Enjoy! (To view There are 2,846 in all, ranging from early silents to the early 1990s, when Kael retired.

Tagged by Roger Ebert as the most influential film critic of her day, the film investigates Pauline Kael's turbulent life and controversial work, through her published writing, letters, never-seen archival footage and interviews with friends and foes of her pen, including Quentin Tarantino and Camille Paglia. ‘What She Said: The Art of Pauline Kael’ Film Review: Firebrand Film Critic Remembered in Fascinating Documentary Friends and enemies alike recall the one-of-a-kind Kael, whose fervent reviews

Read Movie and TV reviews from Pauline Kael on Rotten Tomatoes, where critics reviews are aggregated to tally a Certified Fresh, Fresh or Rotten Tomatometer score. A 1966 movie review by Pauline Kael on Jean-Luc Godard, who turns 85 today.

10/10/2017 · However, Kael’s big break came when a collection of her reviews, I Lost It at the Movies, was published in 1965 while she was working at McCall’s. As lore tells it, Kael was fired from McCall’s for her scathing review of the widely praised The Sound of Music. (Kael called the film a “sugarcoated lie that people seem to want to eat “The most powerful, loved, and hated film critic of her time.” – Roger Ebert on Pauline Kael (1919-2001). In a field that has historically embraced few women film critics, Kael was controversial, witty, and fiercely discerning. Her decades-long berth at The New Yorker energized her fans

15/12/2018 · By any reasonable critical analysis, The Sound of Music is a terrible movie. With its implausible screenplay, terrible acting, and sugar-shock mawkishness, it has all the earmarks of something that, despite its initial burst of popularity, would be forgotten by the passage of time. Film: The Sound of Music (1965), directed by Robert Wise, written by Ernest Lehman. Based on the stage musical written by Howard Lindsey and Russell Crouse, with music and lyrics by Richard Rodgers and Oscar Hammerstein II.

In her review of the new Pauline Kael biography, Slate’s Dana Stevens says that “if you write about movies in America today (and in the age of the who... 04/11/2011 · For the movie version of The Sound of Music, execs at 20th Century Fox first approached Robert Wise (1914-2005), a reliable and chameleonic filmmaker who'd worked in …

Pauline Kael movie reviews were never mediocre affairs. That’s because the longtime film critic for The New Yorker (1968 to 1991) filled her work with personal insight, emotion, and a depth rarely seen in modern-day critical musings. Considered the most influential movie reviewer of her time, she’s rivaled only by Roger Ebert in both fame and acclaim from their peers. ‘What She Said: The Art of Pauline Kael’ Film Review: Firebrand Film Critic Remembered in Fascinating Documentary Friends and enemies alike recall the one-of-a-kind Kael, whose fervent reviews

Rate Your Music is an online community of people who love music. Catalog, rate, tag, and review your music. List and review the concerts you've attended, and track upcoming shows. When you rate your music, the site's music/social recommender can recommend similar music and users with similar music … 03/09/2000 · Former editor Robert Stein letter on Kristin Hohenade's August 27 assertion that Pauline Kael's review of Sound of Music cost her job at McCall's (S)

03/03/2015 · Back in 1965, eminent film critic Pauline Kael famously called The Sound of Music “the sugar-coated lie that people seem to want to eat.” Worse, she goes on to say, “We have been turned into Rob Garver's doc 'What She Said: The Art of Pauline Kael' dives into the life, career, personality and legacy of the fierce and famous film critic for The New Yorker.

30/09/2019 · WHAT SHE SAID: THE ART OF PAULINE KAEL opens Wednesday, December 25 at Film Forum DIRECTED AND EDITED BY ROB GARVER “The most … 10/10/2017 · However, Kael’s big break came when a collection of her reviews, I Lost It at the Movies, was published in 1965 while she was working at McCall’s. As lore tells it, Kael was fired from McCall’s for her scathing review of the widely praised The Sound of Music. (Kael called the film a “sugarcoated lie that people seem to want to eat

11/05/2019 · Pauline Kael’s scathing review of The Sound of Music, which led to her firing, illustrates what important principle for critics? “The most powerful, loved, and hated film critic of her time.” – Roger Ebert on Pauline Kael (1919-2001). In a field that has historically embraced few women film critics, Kael was controversial, witty, and fiercely discerning. Her decades-long berth at The New Yorker energized her fans